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QUERIES FOR DISCUSSION
Does the long monologue of Prospero in this act detract from its
dramatic force? Did the arrangement of Shakespeare's stage make this
convenient. (See description of the threefold stage of the Globe
Theatre in "Anthonie and Cleopatra," pp. 172-173). Is the monologue
rightly disused in modern plays? Why? Compare Ibsen's plays in this
respect.
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