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SHAKESPEARE STUDY PROGRAMS: THE COMEDIES INTRODUCTORY NOTE GEORGE SAINTSBURY, THE COMEDIE OF ERRORS ACT I THE ARRIVAL OF CERTAIN STRANGERS IN EPHESUS QUERIES FOR DISCUSSION ACT II ANTIPHOLUS THE STRANGER DINES AT HOME QUERIES FOR DISCUSSION ACT III ANTIPHOLUS THE NATIVE INVITES FRIENDS TO DINE WITH HIM QUERIES FOR DISCUSSION ACT IV COMPLICATIONS GROW QUERIES FOR DISCUSSION ACT V SOLUTIONS MAKE ALL THE STRANGERS FEEL AT HOME QUERIES FOR DISCUSSION VI CHARACTER DEVELOPMENT QUERIES FOR DISCUSSION VII SHAKESPEARE'S DEPARTURES FROM PLAUTUS QUERIES FOR DISCUSSION THE TWO GENTLEMEN OF VERONA ACT I VALENTINE VERSUS PROTHEUS AND JULIA QUERIES FOR DISCUSSION ACT II VALENTINE AND SILVIA QUERIES FOR DISCUSSION ACT III THE FALSE FRIEND QUERIES FOR DISCUSSION ACT IV SILVIA AND JULIA QUERIES FOR DISCUSSION ACT V VALENTINE, SILVIA AND JULIA VERSUS PROTHEUS QUERIES FOR DISCUSSION THE TAMING OF THE SHREW I THE PLAY OUTSIDE THE PLAY QUERIES FOR DISCUSSION II THE DOUBLE PLOT OF THE MAIN PLAY QUERIES FOR DISCUSSION III BIANCA AND HER SUITORS QUERIES FOR DISCUSSION IV THE SHREW AND HER TAMER QUERIES FOR DISCUSSION V THE TRIPLE MARRIAGE AND THE MORAL QUERIES FOR DISCUSSION VI THE FOLK ORIGIN OF THE TAMING QUERIES FOR DISCUSSION LOVE'S LABOUR'S LOST ACT I THE VOW AND ITS FIRST ANTAGONISTS ACT II THE EMBASSY QUERIES FOR DISCUSSION ACT III THE CLOWN AS A LETTER-CARRIER QUERIES FOR DISCUSSION ACT IV BEROWNE HEARS SOME SONNETS AND THE KING RECEIVES A LETTER QUERIES FOR DISCUSSION ACT V SPORT IS BY SPORT OVERTHROWN QUERIES FOR DISCUSSION VI THE WIT OF THE PLAY QUERIES FOR DISCUSSION VII THE CHARACTERS QUERIES FOR DISCUSSION VIII THE MORAL OF THE PLAY QUERIES FOR DISCUSSION IX SHAKESPEARE'S PLAY AND TENNYSON'S POEM ("THE PRINCESS") UPON EDUCATION OF MEN AND QUERIES FOR DISCUSSION MUCH ADOE ABOUT NOTHING ACT I CLAUDIO NOTES HERO WITH FAVOR AND IS NOTED WITH DISFAVOR QUERIES FOR DISCUSSION ACT II THE PRINCE PLOTS FOR TRUE NOTING AND HIS BROTHER FOR FALSE QUERIES FOR DISCUSSION ACT III THE NOTE-ING IS NOTED QUERIES FOR DISCUSSION ACT IV HERO IS REPUDIATED AND BEFRIENDED QUERIES FOR DISCUSSION ACT V THE DOUBLE WEDDING QUERIES FOR DISCUSSION THE CHARACTERS BENEDICKE AND BEATRICE, CLAUDIO AND HERO QUERIES FOR DISCUSSION A MIDSOMMER NIGHTS DREAME ACT I THE CROSSED LOVERS POINTS 1. ACT I QUERIES FOR DISCUSSION ACT II THE FAIRIES' QUARREL QUERIES FOR DISCUSSION ACT III CROSS-EFFECTS OF OBERON'S SPELL QUERIES FOR DISCUSSION ACT IV HARMONIZING EFFECTS OF OBERON'S SPELL POINTS. 1. 'I QUERIES FOR DISCUSSION ACT V THE THREEFOLD MASK POINTS. 1. QUERIES FOR DISCUSSION SOURCES OF THE PLAY 1. WHERE SHAKESPEARE FOUND SUGGESTIONS FOR HIS MORTALS 2. WHERE SHAKESPEARE FOUND SUGGESTIONS FOR HIS FAIRIES 3. SOLAR ORIGIN OF THE FAIRIES SYMPOSIUM OF OPINION ON THE CHARACTERS 1. THE LOVERS QUERIES FOR DISCUSSION 2. HIPPOLYTA AND THESEUS QUERIES FOR DISCUSSION 3. THE FAIRIES QUERIES FOR DISCUSSION 4. THE PLAYERS QUERIES FOR DISCUSSION SYMPOSIUM OF OPINION ON FAVORITE PASSAGES QUERIES FOR DISCUSSION THE MERCHANT OF VENICE ACT I SHYLOCK'S "MERRIE BOND" QUERIES FOR DISCUSSION ACT II PORTIA'S CASKETS QUERIES FOR DISCUSSION ACT III BASSANIO'S LUCK AND ANTHONIO'S LOSS QUERIES FOR DISCUSSION ACT IV THE LUCK REDEEMS THE LOSS QUERIES FOR DISCUSSION ACT V THE RINGS QUERIES FOR DISCUSSION THE MERRY WIVES OF WINDSOR THE STORY OF ACT I FALSTAFFE IS FORCED TO "CONICATCH" QUERIES FOR DISCUSSION THE STORY OF ACT II THE MERRY WIVES AND FORD LAY PLOTS QUERIES FOR DISCUSSION THE STORY OF ACT III THE DOUBLE DUPERY QUERIES FOR DISCUSSION THE STORY OF ACT IV FORD'S ENLIGHTENMENT QUERIES FOR DISCUSSION THE STORY OF ACT V THE DEFEAT OF MERCENARY LOVEMAKING QUERIES FOR DISCUSSION AS YOU LIKE IT I THE DRAMATIC CONDUCT OF THE PLAY: THE WRESTLING MATCH II LIFE IN THE FOREST OF ARDEN III LOVE IN THE FOREST OF ARDEN IV HATRED BECOMES LOVE IN ARDEN QUERIES FOR DISCUSSION QUERIES FOR DISCUSSION VII THE PASTORAL ELOPMENT QUERY FOR DISCUSSION VIII THE MORAL ELEMENT QUERY FOR DISCUSSION IX THE SOURCE OF THE PLOT QUERY FOR DISCUSSION X THE MUSIC OF THE PLAY TWELFE NIGHT I THE STORY OF THE PLAY QUERIES FOR DISCUSSION II THE WHIMSICAL AND OTHER ALLUSIONS IN THE PLAY QUERIES FOR DISCUSSION III THE DUKE AND SEBASTIAN QUERY FOR DISCUSSION IV VIOLA AND OLIVIA QUERY FOR DISCUSSION V SIR TOBY AND MARIA, AND THEIR BUTTS OR DUPES QUERY FOR DISCUSSION VI MINOR CHARACTERS QUERIES FOR DISCUSSION VII THE POETIC FIGURES IN THE PLAY QUERIES FOR DISCUSSION VIII THE WIT OF THE PLAY QUERIES FOR DISCUSSION THE TEMPEST ACT I THE SCHEMES OF PROSPERO. POINTS. 1. QUERIES FOR DISCUSSION ACT II THE COUNTERPLOT POINTS. 1. QUERY FOR DISCUSSION ACT III NEW PLOTS AGAINST PROSPERO POINTS. 1. QUERY FOR DISCUSSION ACT IV THE CONFUSION OF THE PLOTTERS POINTS. 1. QUERY FOR DISCUSSION ACT V PROSPERO'S TRIUMPH POINTS. 1. QUERIES FOR DISCUSSION VI CHARACTER STUDIES I. PROSPERO AND HIS SERVANTS QUERIES FOR DISCUSSION 2. THE LOVERS 94-106, 110)? QUERIES FOR DISCUSSION 3. THE MINOR CHARACTERS QUERIES FOR DISCUSSION VII A STUDY OF ARTISTIC DESIGN THE SYMBOLISM OF 'THE TEMPEST' QUERIES FOR DISCUSSION THE WINTER'S TALE CONSIDERED IN CONNECTION WITH GREENE'S 'PANDOSTO' AND THE 'ALKESTIS' I SHAKESPEARE'S INDEBTEDNESS TO GREENE QUERIES FOR DISCUSSION II THE RESEMBLANCES TO THE 'ALKESTIS' OF EURIPIDES QUERIES FOR DISCUSSION III SHAKESPEARE'S ORIGINALITY IN WORKING OVER HIS MATERIAL QUERY FOR DISCUSSION IV THE ALKESTIS STORIES IN LITERATURE QUERIES FOR DISCUSSION V THE OUTCAST CHILD IN CULTURE-LORE AND FOLK-LORE QUERIES FOR DISCUSSION VI CHARACTER STUDIES 1. PAULINA; LEONTES; HERMIONE 2. THE YOUNG LOVERS 3. THE ORIGINALITY OF SHAKESPEARE'S AUTOLYCUS QUERIES FOR DISCUSSION VII A STUDY OF THE CONSTRUCTION OF THE PLOT QUERY FOR DISCUSSION VIII SHAKESPEARE'S WORKMANSHIP IN "THE WINTER'S TALE" QUERIES FOR DISCUSSION IX PERDITA'S GARDEN QUERIES FOR DISCUSSION X THE ETHICS OF "THE WINTER'S TALE" QUERIES FOR DISCUSSION